LIGHT OF FREEDOM (BOULEVARD)
Acrylic On Masonite by UT1
Acrylic On Masonite by UT1
O, slow,
I am sheep in fog.
Dolorous,
I see through a glass
darkly; nevertheless,
I
know who my shepherd is.
© May 15, 2013 by UT2
Pencil On Sketch Paper by UT1
A white egret
Is juxtaposed against the moon.
If not for its dark silhouette,
You would have missed it,
The white on white,
Bone on bone—
The way the scene was lit.
T.S. took a back seat
And so did Whitman.
The miracle of meter
No longer mattered or so it seemed;
It all flowed together
So seamlessly,
O, in such symmetry
And endlessly,
Or so it seemed.
This whole universe stood still,
Stands still,
As in a tableau. Yet
The egret
Flew;
The egret;
Black silhouette;
Death;
Unseen, save by the light of the moon.
And Wyeth,
N.C., came, and comes to mind.
And so did Sassoon.
And I thought of Monet. And Rilke:
Poets, painters, “poet-painters,”
All of the same ilk,
All, breathing from the same turgid tube;
Not pretentious, not dull from storm,
But solemn—
Somewhere where Plath and Keats
Met,
Meet,
Somewhere where the sea and the path forget.
This is no longer dry land.
Flies the egret.
© May 15, 2013 by UT2
Keen the sharp edge,
even redundancy,
life, as with poetry,
is best facilitated by brevity,
point a – point b.
But there are the exceptions
leading me to the question,
that detour, that out of way venture,
that rendezvous long way home.
And then when you ask the question
it’s already been answered–
to the bone.
© May 14, 2014 by UT2
Soft Pastel On Paper by UT1