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Tag: original poetry

At The Gate

At The Gate

Gardenias yearn from stems
moonward; I stop to stretch,
just a pause–
no more, no less;
no time to obsess
or linger dissectingly,
but to instead
preserve artlessness.

There is no lateness.
There is no early.
Tonight, simply: “the moment”;
timelessness.
In the house
the lights wink out.
There is no deep reflection,
no over whelm of thought–

only a flicker of leaves
in the starlight;
from the barn–
the welcome light
left on in the loft.

The hinges groan;
a backwards glance,

and then, the catch of the latch.

©Oct 13, 2012 by UT2

Evening Dew

Evening Dew

1

Time quivers from an empty bridge,
Whooo,
The evening train steams grade-challenged,
Wheels squawk,
Engine moans

Like every bone in my body broken,
Like my joints, like my couplings
Car to car to caboose, loose.

Whooo,
The owl whisks from the barn: whoosh!

2

Dusk,
A red feather floats
Under a grey cover,
Floats judiciously, nearly, seemingly,

Floats ubiquitously purpose-drawn
Or again so seems;
In actuality in acquiescence
To the wind.

The hem of the universe
Is borderline mad,
Now struggles
To maintain semblance.

Time quivers
From a bottle.

3

The red feather neither thinks nor looks
Nor deciphers nor calculates
—a red feather from a hat
Or from this or that—

It does not contemplate
Any form of reality via existence.
But it is.

One comes to rest
Upon a green stem. It has an identical twin.

A train of clouds form
Skyward.

It is a world with no airbrakes.

4

Two shadows like hands,
Two crossroads
Split in the night,
Two shadows like long arms
Reach out t’ward fathomless vistas.

An ass brays from a barn.
A class says an alphabet as per
Instructions from a marm.
Mankind is biased, is blasé
Is blessed.

Hollow, they strain into the nude dawn
In an epic power struggle
To be heard. Their king is their shadow
Is their image, is that glint off the brook
Off the rifle.

They are like
The greens having heroically endured
All the early frosts of fall

Mid-frost is upon them.

5

Frivolous all the mounting moments,
Frivolous all the ascending
Roman numerals
Around the circle
Called the clock: logjam time.

The winning smile,
The eyes,
The man in the nervous tie,
Say: “frivolous!”

While counting time like money like time.

6

The chicken stirs.
Coffee spoons clink
In cafeterias.

The sunset coexists in the sunrise
The sunrise coexists in the sunset

The latch catches the gate
The gate catches the latch

I stab myself on a thorn
While trying to pick a rose

The green stem shouts from a bed
Of eternal noiseless “nonexistence”:
“Finite!”

. . . .
Drawn conclusions baa
From hollows;
Drawn inferences along with suppositions
Bay from steamy brooks;
As yellow clouds,
As hound dog breath,
As some reduced form of soundless death,

Certainly they scream in uncertainty,
Ring hollow and resonant
(and resident) in the brown fog.

A red bead
Drips down
On the green stem

7

Like death
The red feather touches
Down in the water
Next to the brown one

The owl, the rooster,
Wing in wing,
Two sets of ripples ripple out,
Two, but merging as one.

Church bells ring;
Rain descends,
Clicks like coffee spoons.

The moon and the sun
Begin to seem as one
Yet are separate.

8

Facsimiles
Yawn from broken valleys,
Sun pours
Where moon should have been

Silver alleys are only gray
Where the gleam has washed away,

Exfoliate rose
Of rich men ghettos

Spider web:
Cobwebs

And down certain cobbled streets
The hobbler hobbles—
History is cobbled together by the adept revisionist
And replete with repeats—

The flow ebbs,
The open door closes,

The evening dew is on the roses.

©Sept 29, 2012 by UT2

My Steam-driven Pen

My Steam-driven Pen

I get no pleasure from an esteem-driven pen,
one so steeped in self-love
so consumed by the fellow within.

Let it not be such,
better it be steam or the wind.

Let it be the movement of the branch,
the tips clawing at the window,
anything –

the etchings left by a snake in the sand,
shifting shavings left there askew
mixed with the droppings of a rat,

the ravings of a madman –
my steam-driven pen.

©Aug 27, 2012 by UT2

IT WAS THE BEST DAY

IT WAS THE BEST DAY

It was the best day,
it was the worst day:

ascend the ladder,
descend the ladder,

sandal drops,
miss the step,

bang my shin,
pain rises;

shaken, then,
I resume pruning:

dead leaves,
dead deeds,

words. . .I even penned my best poem. . . !
I am delusional.

I get a good laugh and I even look up the word “balderdash.”
Even read an old poem by Billy Collins.

It was the worst day.
It was the best day.

©Aug 19, 2013 by UT2

US

US

We are empty
We are full
Travel a dark road of light
In a rush-push
Pull with all our might
In a hurry to wait

We are empty
Full
Thirsty, quenched
Lean, bursting
Scurry down a bright road
Of darkness

Blind, leaning together
As a chain gang of eyes—
We find we are lost
Knee-deep in lies
Neck deep in destiny
Behind enemy lines

America.

© 07/12/2011 by UT2

Poet-Painter

Poet-Painter

Don’t let yourself be
too hung up on a pen.
Don’t let fingers, hands, arms,
become an extension of a keyboard.
An automaton: how can he write poetry?

Do not be too solid,
firm and unyielding in your existence.
When you walk a path,
you must be inadequate
to find your feet.

You will strain to hear
through a corn ear,
grope to see through a potato eye;

as your heart grows eyes,
your muse will become music
to your ears.

When you speak of a rose,
it will be more than just red
or yellow or pink.

We will share not only the texture
of the petals in your fingers
but also the thorns
and we will taste the blood.

© 08/11/2011 by UT2

 

Silent Music

Silent Music

Sometimes
silent music is the best music of all.
It falls like night.
It falls like a snowflake.

It is a smile as opposed to a laugh.
It is a poem as opposed to a song.
It comes to you as on a noiseless wing
of no required footstep.

You need not walk out to meet it.

In winter’s hour it comes like a snowflake,
yet, as welcoming angel, its embrace is warm.

©June 11, 2013 by Ut2

Within the Field, Horses and Haystacks

Within the Field, Horses and Haystacks

Within spring abides fall,
a hot summer’s winter’s snow,
moss at the swift crossing;
hurry, and take it slow.

A bell rings across a doleful theatre.
Moving mirrors catch leaves
in a façade of sky and cloud.

Contained in a summer’s breeze
is a winter’s sneeze;
sunrise: sunset: the nighthawk.
It blows about and wheels.

All across, riverbanks,
sand, slip
as if through an hourglass.

Within the field of horses and haystacks
the façade of sky and clouds
dances to a solemn tune.

©June 6, 2013 by UT2